{"id":23778,"date":"2011-11-16T19:23:21","date_gmt":"2011-11-16T19:23:21","guid":{"rendered":"http:\/\/www.influx.co.uk\/wordpress\/?p=23778"},"modified":"2022-12-08T16:47:47","modified_gmt":"2022-12-08T16:47:47","slug":"the-professionals","status":"publish","type":"post","link":"https:\/\/www.adrianflux.co.uk\/influx\/features\/the-professionals\/","title":{"rendered":"The Professionals"},"content":{"rendered":"<p>There are plenty of people who think that <a href=\"https:\/\/en.wikipedia.org\/wiki\/Laurie_Johnson\">Laurie Johnson<\/a>\u2019s instantly recognisable, utterly seventies, wah-wah and brass theme tune for The Professionals was the best thing about it, and that every episode went rapidly downhill from there. But the title sequence left you in no doubt about two things. First, there was going to be action. And second, from the moment a MkI Granada &#8211; completely inexplicably &#8211; comes smashing through a plate glass window.<\/p>\n<p>I think I might have seen every episode of The Professionals. First shown between \u201978 and \u201983, I was just about old enough to watch the repeats in the late \u201880s before Martin Shaw, now seeing himself as a serious ac-tor, refused to let ITV show any more. Its comeback on the now-defunct <a href=\"https:\/\/www.itv.com\/news\/granada\">Granada<\/a> Plus cable channel in the late nineties unfortunately coincided with the start of my career as a freelance writer in my early twenties: it was the perfect work-displacement activity and meant a lot of missed deadlines.<\/p>\n<figure><a href=\"https:\/\/www.adrianflux.co.uk\/influx\/wp-content\/uploads\/2011\/11\/corgi_array.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-23780\" title=\"corgi_array\" src=\"https:\/\/www.adrianflux.co.uk\/influx\/wp-content\/uploads\/2011\/11\/corgi_array.jpg\" alt=\"\" width=\"494\" height=\"211\" srcset=\"https:\/\/cdn-influx-wp.adrianflux.co.uk\/uploads\/2011\/11\/corgi_array.jpg 494w, https:\/\/cdn-influx-wp.adrianflux.co.uk\/uploads\/2011\/11\/corgi_array-300x128.jpg 300w, https:\/\/cdn-influx-wp.adrianflux.co.uk\/uploads\/2011\/11\/corgi_array-278x118.jpg 278w\" sizes=\"auto, (max-width: 494px) 100vw, 494px\" \/><\/a><\/figure>\n<p>But I\u2019ve never thought it was any good. In tv-speak, The Professionals \u2018jumped the shark\u2019 in series 1, episode 1. It was always a parody of itself; you didn\u2019t watch it for the scripts or the acting, but for the hilarious, high-camp, brain-out action. And for the Fords: Cowley\u2019s grown-up <a href=\"http:\/\/www.fordgranada.com\/\">Granada<\/a> (with a telephone in it! A phone! In a car!), Doyle\u2019s white <a href=\"http:\/\/www.rsownersclub.co.uk\/car_info\/index.php\">Escort RS2000<\/a>, and most of all, for the Capris.<\/p>\n<p>The impressive but worryingly detailed fan site <a href=\"http:\/\/www.mark-1.co.uk\/\">mark-1.co.uk<\/a> has tracked down all the significant cars to feature in The Professionals. It records the brief dalliance with <a href=\"http:\/\/h2g2.com\/dna\/h2g2\/A9355377\">British Leyland <\/a>vehicles, before the unreliability of both the cars and the company got them the boot, and that a couple of MkII Capris featured in the show\u2019s early days, including a very cool, very rare body-kitted example on <a href=\"http:\/\/www.ronalwheels.co.uk\/\">Ronal alloys<\/a>.<\/p>\n<p><iframe loading=\"lazy\" id=\"\" class=\"\" width=\"500\" height=\"750\" src=\"https:\/\/www.youtube.com\/embed\/397FJ6Cn00U?rel=0&#038;showinfo=0&#038;controls=1&#038;enablejsapi=\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>But it\u2019s the silver and bronze, quad-headlamp MkIIIs that CI5 agents Bodie and Doyle are most associated with, and which sealed the Capri\u2019s reputation as the blue-collar bloke\u2019s transport of choice. The image the Capri ended up with was a world away from the one Ford probably hoped for when it named its new coupe after a dolce vita Italian seaside resort. Bodie and Doyle epitomised an era when men were men, women were birds, bathing was optional and moisturiser unheard of. They thought nothing of spending all afternoon in the boozer before roaring off to the next cheaply-staged action scene in a Capri. The cars got plenty of camera time and spent much of it sideways, though that could only be achieved with the gratuitous use of the handbrake as even the top-spec, <a href=\"http:\/\/www.essexengines.com\/\">Essex V6<\/a>-powered 3.0S mustered only 138bhp.<\/p>\n<p>But it worked for Ford. The Professionals followed neatly on from The Sweeney, which finished in \u201978 and which Ford had also dominated, featuring its Granadas and Cortinas. Five years of prime-time exposure kept the Capri\u2019s sales up in the UK when they were slumping elsewhere. It was finally offed in 1984 in the other European markets but lived on for another two years here. Not only did Bodie and Doyle save the UK from Russian agents, nuclear disaster and various sniper madmen, but they saved our favourite coupe too, and for that we can almost forgive Martin Shaw\u2019s terrible cardigans and bubble perm. Almost.<\/p>\n<figure><a href=\"https:\/\/www.adrianflux.co.uk\/influx\/wp-content\/uploads\/2011\/11\/m_chest.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-23783\" title=\"m_chest\" src=\"https:\/\/www.adrianflux.co.uk\/influx\/wp-content\/uploads\/2011\/11\/m_chest.jpg\" alt=\"\" width=\"292\" height=\"417\" srcset=\"https:\/\/cdn-influx-wp.adrianflux.co.uk\/uploads\/2011\/11\/m_chest.jpg 292w, https:\/\/cdn-influx-wp.adrianflux.co.uk\/uploads\/2011\/11\/m_chest-210x300.jpg 210w, https:\/\/cdn-influx-wp.adrianflux.co.uk\/uploads\/2011\/11\/m_chest-278x397.jpg 278w\" sizes=\"auto, (max-width: 292px) 100vw, 292px\" \/><\/a><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Ben Oliver on how a cop series saved the Ford Capri <\/p>\n","protected":false},"author":11,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"footnotes":""},"categories":[1779,1781,6],"tags":[115,2006,141,242],"class_list":["post-23778","post","type-post","status-publish","format-standard","hentry","category-cars","category-culture","category-features","tag-film","tag-ford","tag-movies","tag-tv"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.0 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Professionals | Influx Magazine<\/title>\n<meta name=\"description\" content=\"The TV series that saved the Ford?\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.adrianflux.co.uk\/influx\/features\/the-professionals\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Professionals | Influx Magazine\" \/>\n<meta property=\"og:description\" content=\"The TV series that saved the Ford?\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.adrianflux.co.uk\/influx\/features\/the-professionals\/\" \/>\n<meta property=\"og:site_name\" content=\"Influx Magazine\" \/>\n<meta property=\"article:published_time\" content=\"2011-11-16T19:23:21+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-12-08T16:47:47+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.adrianflux.co.uk\/influx\/wp-content\/uploads\/2011\/11\/corgi_array.jpg\" \/>\n<meta name=\"author\" content=\"Ben Oliver\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@influxmag\" \/>\n<meta name=\"twitter:site\" content=\"@influxmag\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Ben Oliver\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.adrianflux.co.uk\/influx\/features\/the-professionals\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.adrianflux.co.uk\/influx\/features\/the-professionals\/\"},\"author\":{\"name\":\"Ben Oliver\",\"@id\":\"https:\/\/www.adrianflux.co.uk\/influx\/#\/schema\/person\/0753e13de7e1bea51bb9e761687da89c\"},\"headline\":\"The 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